Transcendent Boundaries: The Impact of Art Festivals on Rural Revitalization in East Asia
DOI:
https://doi.org/10.53469/jssh.2024.6(09).13Keywords:
Art festivals, Rural revitalization, Contemporary art, Creative industry, East AsiaAbstract
This thesis explores the intricate relationship between biennial art festivals and rural development, offering a comprehensive analysis of how these cultural events contribute to the socio-economic development of global art exchange. Anchored in the study of biennial culture, with a historical lens on the pioneering Venice Biennale, the research digs into the evolution of biennial events from exclusive art gatherings to transformative cultural phenomena with global outreach and impact. It underscores the role of these festivals in fostering international cultural exchange, enhancing contemporary art visibility, and influencing social and economic landscapes in East Asia.
References
“Art Setouchi.” ART SETOUCHI. Accessed June 10, 2024. https://setouchi-artfest.jp/.
Barandy, Kat. “Mad Architects’ Artistic Practice Plays with Light with Two Newly Unveiled Installations.” designboom, June3,2021.
Borggreen, Gunhild. “Art and Consumption in Post-Bubble Japan: From Postmodern Irony to Shared Engagement.” In Consuming Life in Post-Bubble Japan: A Transdisciplinary Perspective, edited by Katarzyna J. Cwiertka and Ewa Machotka, 175–94. Amsterdam University Press, 2018. https://doi.org/10.2307/j. ctv56fgjm.13.
Carlson, Cajsa. “Ma Yansong Creates Lantern-like Artwork in Rural Chinese Tea Field.” Dezeen, January 28, 2022. https://www.dezeen.com/2021/06/11/ma- yansong-light-china-mad/.
Cheng, Enfu. “Marxism and Its Sinicized Theory as the Guidance of the Chinese Model: The ‘Two Economic Miracles’ of the New China.” World Review of Political Economy9, no. 3 (2018): 296–314. https://doi.org/10. 13169/worlrevipoliecon.9.3.0296.
Echigo-Tsumari Art Field, 2010. https://www.echigo- tsumari.jp/en/.
Engelhardt, Richard A. “Culturally and Ecologically Sustainable Tourism Development through Local Community Management.” In Culture and Sustainable Development in the Pacific, edited by Antony Hooper, 174–86. ANU Press, 2005. http://www.jstor.org/stable/ j.ctt2jbj7c.20.
Fukutake, Soichiro and Kitagawa Fram. Art Awakening the Regional Charm. Beijing: Beijing Qing Nian Chu Ban She 2017.
Hu Yu and Sha Yao. Rural Innovation Commissioner: Institutional Exploration on Solving the Problem of Two-way Flow of Resource Elements in Urban and Rural Areas. Journal of Jiangxi Normal University, Philosophy and Social Sciences Edition, 55, no. 01 (2022): 101-109.
Jamieson, Walter. “Cultural Heritage Tourism Planning and Development: Defining the Field and Its Challenges.” APT Bulletin: The Journal of Preservation Technology 29, no. 3/4 (1998): 65–67. https://doi.org/10.2307/ 1504616.
Jones, Caroline A. “Old World / Biennial Culture.” In The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience, 81–112. 2016. https:// doi.org/10.7208/chicago/9780226291888.001.0001.
Kompatsiaris, Panos. The Politics of Contemporary Art Biennials: Spectacles of Critique, Theory and Art. Routledge Advances in Art and Visual Studies. New York, NY: Routledge, 2017.
Koizumi, Motohiro. “Connecting with Society and People through ‘Art Projects’ in an Era of Personalization.” In Cities in Asia by and for the People, edited by Yves Cabannes, Mike Douglass, and Rita Padawangi, 177–200. Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctv7xbs0b.10.
Love, Bridget. “Sustainability at Dead-Ends: The Future of Hope in Rural Japan.” RCC Perspectives, no. 3 (2014): 95–100. http://www.jstor.org/stable/26241256.
Machotka, Ewa. “Consuming Eco-Art: Satoyama at the Echigo-Tsumari Art Triennale 2012.” In Consuming Life in Post-Bubble Japan: A Transdisciplinary Perspective, edited by Ewa Machotka and Katarzyna J. Cwiertka, 215–36. Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctv56fgjm.15.
“Philosophy: Benesse Art Site Naoshima.” Benesse Art Site Naoshima. Accessed June 19, 2024. https:// benesse -artsite.jp/en/about/.
Potts, Alex. Introduction. In Introduction: The Idea of Modern Sculpture, xiii–xxx. Los Angeles, CA: Henry Moore Institute and the J. Paul Getty Museum, 2012.
Qu, Meng. Ten Innovative Ideas of Land Art Festival: How to Revitalize the Communnity by Japanese Rural Art Festival. Public Art, no. 05 (2019): 106-109.
Qu, Meng. Regional Renaissance or Art Festival Tourism? Notes on Community Field Investigation of 2015-2018 Setouchi Triennale International Art Festival. Public Art, no. 05 (2018): 64-73.
Qu, Meng. Sustainable Development Research on Contemporary Art Intervening in Village Regional Regeneration. Public Art, no. 05 (2016): 38-45.
Rep. Setouchi Triennale 2010, 2011. https:// setouchiartfest.jp/files/about/archive/report2010.pdf.
Rep. Setouchi Triennale 2013, 2014. https:// setouchiartfest.jp/files/about/archive/report2013.pdf.
Rep. Setouchi Triennale 2016, 2017. https:// setouchiartfest.jp/files/about/archive/report2016.pdf.
Rep. Setouchi Triennale 2019, 2020. https:// setouchiartfest.jp/files/about/archive/report2019.pdf.
Rep. Setouchi Triennale 2022, 2023. https:// setouchiartfest.jp/files/about/archive/report2022.pdf.
Setouchi Triennale 2022, ART SETOUCHI/Setouchi Triennale. Accessed June 10, 2024. https: //setouchi-artfest.jp/en/artworks-artists / archive.
Smithson, Robert, and Patricia Norvell. “An Interview with Robert Smithson 1969.” Essay. In The Modern Sculpture Reader, 285–96. Los Angeles, CA: Henry Moore Institute and the J. Paul Getty Museum, 2012.
Tagore-Erwin, Eimi. "Contemporary Japanese Art: Between Globalization and Localization." Arts and the Market 8, no. 2 (2018, 2018): 137-151. doi: https:// doi.org /10.1108/AAM-04-2017-0008. https://www. proquest.com/scholarlyjournals/contemporary-japanese-art-between-globalization/docview/2105046199/se-2.
The HUBART team. Art at Fuliang 2021 Project Review. Beijing HUBART Internal Report. Unpublished. 2021.
The HUBART team., ed. Art at Fuliang. Fuliang: Hanxi Village, 2021. Published in conjunction with an exhibition of the same title, organized by and presented at the Fuliang Hanxi Villange. May 1st, 2021-June 1st, 2021.
Wang, Fu. Discourse Between Tea and Wine. Dunhuang Manuscript, Tang Dynasty (618-907).
Wang, Zhen. “Out of the Mountains: Changing Landscapes in Rural China.” RCC Perspectives, no. 2 (2018): 1–43. https://www.jstor.org/stable/26542408.
Whybrow, Nicolas. Contemporary Art Biennials in Europe: The Work of Art in the Complex City. BLOOMSBURY VISUAL ARTS, 2020. https://doi.org /10.5040/9781350167001.
Xi, J. (2017). The Report of 19th National Congress of the Communist Party of China. China Daily. https:// www.chinadaily.com.cn/interface/flipboard/1142846/2017-11-06/cd_34188086.html
Xinhua News Agency. (2022). Opinions on Promoting Cultural Industry Empowerment in Rural Revitalization. https://www.gov.cn/zhengce/2022-02/22/content_5675035.htm
Zhan, Lei. Value. Hang Zhou, Zhe Jiang Jiao Yu Chu Ban She, 2020.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Yili Peng
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
