Narrative Techniques and Discursive Storytelling in Sarat Chandra Chattopadhyay's 'Parinita'
DOI:
https://doi.org/10.66069/ojspub.1811261006Keywords:
Sarat Chandra Chattopadhyay, Parinita, Narrative techniques, Storytelling, Symbolism, Motifs, Characterisation, Sociocultural setting, Literary appeal, Research methodology, Data analysis, Ethical considerations, Significance, Romance, Wedlock, Gender stereotypes, Socioeconomic realities, Language, Narrative strategies, Aesthetic decisions, Psychological complexity, Thematic components, Narrative perspective, Point of view, Chronology, Literary elements, Character psychology, Character development, Reader engagement, Literary analysis, Intellectual debates, Fresh perspectives, Research pathways, Oral communication, Late 19th-century India, Artistic merits, Plotting artistry, Corpus of knowledge, Sociocultural milieu, Imaginative storytellingAbstract
The present paper investigates Sarat Chandra Chattopadhyay's use of storytelling and narrative techniques in his book "Parinita.” In order to illustrate the complexity of the main protagonists and their relationships under the social milieu of late 19th- century India, it examines how Chattopadhyay deftly crafts the tale using a variety of literary instruments and narrative strategies. This research is aimed at shedding light on Chattopadhyay's narrative tactics' efficacy and their involvement in 'Parinita's' overall literary appeal by scrutinising the author's telling approaches, fleshing out characters, and thematic components.
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Copyright (c) 2026 Arpita Sharma
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
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