The Suspension of Rhythm - Exploring the Use of Usi (Non-beat Mode) - In Particular with Reference to the Carnation Tla System

Abstract

An element of a discontinuous pattern within the paradigm of set configuration of a tāla structure, marks for a study of a distinct and unique component of a tāla, which is also within the lexicon of a conventional scheme of the tāla concoct, known as usi. The paper shall majorly explore the computation and implementation of usi, in variegated tāla patterns, specifically in the Carnatic music system. The tālas from the Sūlādi Saptatāla conglomerate or the seven tāla system shall be taken into account, for explicating the element of usi. The paper also shall include opinions of professional musicians (percussionists and vocalists) for an elaborate elucidation on how they work around the said element of usi.