The Music Style and Performance Analysis of the First Movement of Kabalevsky's Piano Sonata No. 3 in F Major (Op.46)

Authors

  • Zhang Yang College of Art, Zhejiang Normal University, Jinhua 321004, Zhejiang, China

DOI:

https://doi.org/10.53469/jssh.2024.6(06).24

Keywords:

Kabalevsky, Piano Sonata, Piano Performance, 20th Century Music Style

Abstract

The Piano Sonata No. 3 in F Major (Op.46) stands as a representative work of Soviet composer Kabalevsky. This piece was composed during the 20th century, a time marked by a push to break away from conventions and experiment with the full spectrum of musical possibilities. Nonetheless, the musical style of the piece is a mix of traditional classical sonata form and modern musical expression. The melody is beautifully crafted and infuses modern musical nuances. This article uses this work as an example. By analyzing the creative background and musical writing style of the piece, it explores how to understand the musical performance style and the 20th century music style from the aspects of key touch, pedal, rhythm, speed, and force.

References

Le Yiqing. Kabarevsky's "Piano Sonata No. 3 in F Major" Op.46: Creative Features and Performance Exploration [D]. Shanghai Normal University, 2021.

Wang Can. Kabarevsky's Piano Sonata in F Major: Musical Characteristics and Work Performance [D]. Jiangsu Normal University, 2013.

Wu Xiaoyu. Inheritance and Innovation of Tradition - Analysis of Creative Techniques in Kabarevsky's Piano Sonata No. 3 in F Major (0p.46). Music Creation, 2016 (06): 159-161.

Chen Wei. Kabarevsky's Performance Analysis of Piano Sonata No. 3 in F Major [J]. Symphony (Journal of Xi'an Conservatory of Music), 2016 (02): 125-128.

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Published

2024-06-30

How to Cite

Yang, Z. (2024). The Music Style and Performance Analysis of the First Movement of Kabalevsky’s Piano Sonata No. 3 in F Major (Op.46). Journal of Social Science and Humanities, 6(6), 115–118. https://doi.org/10.53469/jssh.2024.6(06).24