Cultural Heritage and Technological Innovation in Papercut Animation: The Artistic Journey of Shanghai Animation Film Studio (1950s-1980s)
DOI:
https://doi.org/10.53469/jssh.2025.7(01).07Keywords:
Shanghai Animation Film Studio, Paper-cut Animation, Cultural Heritage, Technological Innovation, Animation HistoryAbstract
This paper examines the evolution of paper-cut animation at Shanghai Animation Film Studio (SAFS) from the 1950s to the 1980s, focusing on the fusion of cultural heritage and technological innovation. Highlighting the contributions of pioneers like Wan Guochan and Hu Jinqing, the study explores how SAFS integrated traditional Chinese arts into animation to overcome technical limitations and respond to socio-political changes. Through an analysis of seminal works such as “Pigsy Eats Watermelon” and “The Fishing Boy,” the paper illustrates the studio’s role in shaping the landscape of contemporary animation.
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