Sounds of the Desert: Bach's Interpretation of Abderrahmane Munif's Salt City

Abstract

In contemporary literary studies, the application of critical theories can provide deeper insights into complex narratives and their socio - cultural implications. This research paper examines Abdelrahman Munif's Cities of Salt through the lens of Mikhail Bakhtin's theories of dialogism and heteroglossia. By employing a close reading methodology and textual analysis, the study reveals how Munif captures the complex interplay of cultural, social, and economic forces shaping the transformation of a traditional society under the pressures of modernization. The paper explores how the diverse perspectives and linguistic variations within the novel reflect the socio - political dynamics and ideological conflicts triggered by the discovery of oil. Through a Bakhtinian framework, the research highlights the novel's depiction of the tensions between tradition and progress, the displacement of communities, and the resulting cultural disintegration. This study demonstrates how Cities of Salt serves as a polyphonic narrative that not only critiques the impact of industrialization on the environment and indigenous Bedouin but also engages in a broader dialogue about the costs of globalization and economic exploitation. By situating the novel within the context of Bakhtin's concepts, the paper provides an in - depth understanding of Munif's literary approach and its relevance to contemporary discussions on cultural preservation and socio - economic justice. This study will examine excerpts from the first volume, AL - Teeh1, which best align with the study's argument.